About the Song
“Molina” by Creedence Clearwater Revival is a spirited, upbeat track that adds a splash of rock ’n’ roll fun to the band’s gritty, rootsy sound. Featured on their 1970 album Pendulum, the song showcases a lighter side of CCR, diverging from the darker tones and swampy introspection that often characterize their music. With its catchy hooks, rhythmic bounce, and playful lyrics, “Molina” feels like a joyful release—a quick burst of energy in the midst of an album filled with tension and transition.
Clocking in at just over two minutes, the track is short, snappy, and instantly engaging. From the moment the groove kicks in, Doug Clifford’s drumming and Stu Cook’s walking bassline drive the song with a rockabilly flair, while John Fogerty’s jangling rhythm guitar and punchy vocal delivery give it a vibrant edge. The addition of horn sections—a rare touch in CCR’s catalog—adds a layer of retro soul, giving the track a playful, almost doo-wop vibe that contrasts sharply with the heavier themes found elsewhere on Pendulum.
Lyrically, “Molina” is lighthearted and romantic, centering on a girl who keeps the narrator on his toes. There’s no deep moral or hidden message—just a celebration of a woman who makes life exciting and unpredictable. It’s a refreshing change of pace from the band’s more socially and emotionally charged material, showing that CCR could let loose and have fun without losing their authenticity.
One of the charms of “Molina” is how effortlessly it fits into the band’s broader identity while still standing out. It’s rooted in early rock and roll, channeling influences from the Sun Records era and American garage bands, yet it’s delivered with Creedence’s unmistakable tone—raw, rhythmic, and real.
Though “Molina” was never released as a major single, it has earned a place as a fan favorite and a reminder of CCR’s versatility. It’s a song that doesn’t ask too much of the listener—just to tap your foot, maybe smile, and enjoy the ride. In a catalog full of stormy skies and midnight highways, “Molina” feels like sunshine breaking through—brief, bright, and totally irresistible.