Creedence Clearwater Revival - I Heard It Through The Grapevine (Official  Audio)

About the Song

When a band takes on a song that’s already iconic, it takes boldness—and vision—to make it their own. That’s exactly what Creedence Clearwater Revival did with their electrifying, 11-minute rendition of “I Heard It Through the Grapevine,” featured on their 1970 album Cosmo’s Factory. Originally made famous by Gladys Knight & the Pips and then immortalized by Marvin Gaye, the song was already steeped in Motown history. But CCR didn’t just cover it—they reimagined it, pushing it deep into swamp rock territory, stretching its tension and groove into something completely unique.

From the moment John Fogerty’s hypnotic guitar riff begins, it’s clear this version is on a different wavelength. It’s slower, darker, and more brooding than the original—less about polished soul and more about raw suspicion and smoldering intensity. Fogerty’s unmistakable voice delivers the lyrics not with smooth elegance, but with a gravelly ache, as though the betrayal has settled into his bones.

The rhythm section—anchored by Stu Cook’s bass and Doug Clifford’s drums—lays down a steady, hypnotic groove that never lets up. Over the course of more than ten minutes, the band rides that groove like a slow-rolling train, adding texture and fire with guitar solos, instrumental breaks, and a sense of simmering urgency. It’s less a song than a journey, one that walks a fine line between sorrow and fury.

What makes CCR’s take so remarkable is how it honors the emotional heart of the original, while transforming it into a completely new experience. Instead of the tightly arranged Motown structure, we get space to breathe—and burn. The extended length allows the tension to build naturally, echoing the way suspicion and heartbreak often simmer beneath the surface long before they erupt.

For longtime fans, “I Heard It Through the Grapevine” became a live staple and a powerful example of CCR’s ability to blur the lines between soul, rock, and blues—and do it with authenticity. It proved that great songs don’t belong to one genre—they belong to anyone who can feel them deeply and express them honestly.

More than 50 years later, this version remains a masterclass in musical reinterpretation. It’s not just a cover—it’s a slow-burning Southern noir, soaked in atmosphere, emotion, and the unmistakable voice of a band that knew how to take the familiar… and make it unforgettable.

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