About the Song
Released in 1988 on his sixth solo studio album No Rest for the Wicked, “Devil’s Daughter (Holy War)” captures Ozzy Osbourne at a creative high point, blending sinister themes with driving riffs and theatrical flair. This track marked Ozzy’s first album with legendary guitarist Zakk Wylde, whose blistering playing injected fresh energy into Ozzy’s sound, helping the Prince of Darkness usher in a new era of late-’80s heavy metal.
The song’s narrative is a classic Ozzy blend of dark imagery and pointed commentary. “Devil’s Daughter (Holy War)” isn’t simply shock-value metal; it’s a scathing exploration of corruption, manipulation, and hypocrisy. The title itself hints at a collision between innocence and evil, reflecting Ozzy’s knack for storytelling that provokes thought while entertaining.
Musically, the track is fast-paced, aggressive, and deeply theatrical. Zakk Wylde’s guitar work is a standout — filled with squealing pinch harmonics, intricate solos, and crushing riffs. Combined with Randy Castillo’s powerful drumming and Bob Daisley’s driving bass lines, the track delivers a wall of sound that feels relentless but polished. Ozzy’s vocals, raspy yet commanding, sit perfectly atop the chaos, giving the song its signature eerie energy.
No Rest for the Wicked was a pivotal album in Ozzy’s solo career, showcasing his ability to stay relevant in the shifting metal scene of the late ‘80s. “Devil’s Daughter (Holy War)” perfectly embodies that moment: it’s theatrical yet serious, heavy yet melodic, and filled with lyrical themes that challenge authority and societal norms — trademarks of Ozzy’s songwriting legacy.
More than three decades later, “Devil’s Daughter (Holy War)” remains a favorite among Ozzy fans for its combination of raw power, sharp musicianship, and thought-provoking storytelling. It’s a reminder of why Ozzy Osbourne is not just a heavy metal icon, but a master of turning dark tales into unforgettable anthems.